artdish magazine - Meet Me in Miami

From South Florida's Art Basel Miami Beach art fair, Seattle artist Jane Richlovsky reports about her visit to the event, one steeped in visual excess. Read more about her initial impressions as a participating artist and visitor to Miami's annual showcase where art and commerce interse... [More]

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Messiah by the Book

Handel's Messiah at Benaroya Hall What a difference a year makes.  Last time out, Seattle Symphony, Chorus and soloists staged one of the best versions of Handel’s Messiah I have ever heard.  With guest conductor Christian Knapp at the helm, the piece was alive, visceral and t... [More]

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Linda Davidson at Catherine Person Gallery

Landscape painter Linda Davidson thinks sequentially.  Her current show of 18 three-foot square paintings is mounted as a narrative, rather like a graphic novel or a filmstrip.  Though the paintings are also intended to stand alone (which they do quite handsomely, in most cases), ... [More]

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Edward Hopper Women at Seattle Art Museum

Say, for the sake of argument, that the economic party is indeed over.  As museums face leaner times, we may well see more exhibitions like the two-room Edward Hopper Women currently at SAM .  If so, this well thought-out survey can serve as a good model for what such shows can ai... [More]

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Liz Magor at the Henry

Last week Jen Graves asked me to write a short review of BC sculptor Liz Magor's exhibit The Mouth and other storage facilities at the Henry Art Gallery for the Stranger. Thinking you might enjoy it, I decided to post a link to it here on Artdish. Mouth is on view through December 14th.

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Review of Seattle Opera's Elektra

Elektra-fying ExperienceExcellent opera production causes local writer to employ terrible pun! First of all, Richard Strauss’ Elektra is a masterpiece, plain and simple - beautiful, powerful and short.  It is one of the very few operas that actually has ever made me lose sense of spac... [More]

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Josh Keyes and Iole Alessandrini at OKOK

Nature isn't what it used to be, and plenty of artists have been sounding the alarm. The paintings of Josh Keyes stand out from the crowd in two ways: first, by his spectacular technical facility, particularly as an animal artist; second, by his depiction of the struggle... [More]

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artdish magazine - with a bang or a whimper

The curatorial decisions between Seattle's Frye Art Musuem and Henry Art Gallery, rooted to their institutional missions and past, reveal distinctive directions. Writer Elizabeth Bryant comments on both museums in her discussion of exhibits at the Frye and the Henry in recent months. Re... [More]

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Sean Johnson and Mark Takamichi Miller at Howard House

  There’s a gee-whiz factor to the gravity-defying sculptures of Sean Johnson, and that’s both an advantage and a disadvantage.  The upside, of course, is that they immediately grab our attention – and excite our anxiety.  Johnson’s balancing acts appe... [More]

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Buckingham at The Henry: Something to Talk About

Romanian historian, Lucian Boia, put it well when he described history as not one but two things: what happened and how we talk about what happened. These days it seems like everyone is talking about how we talk about what happened. Take the current show at the Henry Art Gallery. New York based artist Matthew Buckingham, whose exhibition “Play the Story” can be seen through September 21st, uses film, photography and projected texts to reflect on the relationship between history and narrative.. [More]

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